Monday, February 09, 2009

horizon | 2008 - 2009

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horizontal composition of five vertical elements | oil/canvas: 51 x 51 cm

you wonder why
horizons are unreachable.
but you forget
that distance doesn't fit you well.
it's only a feeling.
let it fly away
and be constructive,
and carry your smile all the way..

Monday, February 02, 2009

jungle bay | 2008 - 2009

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titled | oil/canvas: 26 x 27 cm

Monday, December 01, 2008

a study on the fellowship | 2004 - 2008

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fellowship / an example of human nature | oil/canvas: 90 x 120 cm

this combination between the british and the american flag dates the coalition of the willing of the early 21st century. although the composition can be easily recognised as one bearing contemporary political connotation, it may also be viewed as the symbol of collaboration between two extremely different ideologies. this kind of unity seems impossible and rather provocative at first sight. people free of prejudice, however, know that fellowships of the above sort are agreed each day between those ready to compromise their only life for the sake of evanescence.















fragment of the fellowship | oil/canvas: 20 x 20 cm

greenstructivist composition | 2008

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oil/canvas: 16 x 21.5 cm

can yOu please fILl in my square for me? | 2006 - 2007

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oil/canvas: 30 x 31 cm

composition with orange and green | 2008

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oil/canvas: 70 x 80 cm

composition with green and blue | 2007 - 2008

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oil/canvas: 37 x 43 cm

orange | 2008

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oil/canvas: 43 x 43 cm

Monday, October 27, 2008

the missing deep blue | 2008

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oil/canvas: 50 x 50 cm

Thursday, August 07, 2008

balance | ca. 2000

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oil/canvas: 30 x 40 cm

Tuesday, May 13, 2008

brown | 2008

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oil/canvas: 51 x 51 cm

red | 2008

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oil/canvas: 51 x 51 cm

yellow | 2008

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oil/canvas: 46 x 46 cm

green | 2008

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oil/canvas: 55 x 55 cm

j.c. black | 2008

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oil/canvas: 47 x 46 cm

proron blue | 2008

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oil/canvas: 58 x 58 cm

Friday, April 18, 2008

darry white | 2007

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oil/canvas: 21 x 21.5 cm

Monday, February 19, 2007

on p.m.

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composition a

Friday, December 08, 2006

25

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her palette of years

Tuesday, September 19, 2006

from carlsson's roof

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can you please fill in my square for me?

The above illustration was published in October 2006 in addition to Johan Carlsson’s essay on How to Take Decisions and Live with Them in МЕНИДЖЪР. In his article the author argues that people are generally afraid to take responsibility and would rather let someone else decide or choose for them. Hence, we see the main character – a square-minded person – right in the centre, having some diversity around her. All colours are natural excerpts, extracted from digital photographs of skies of different parts of the day, seasons or weather types. The green has been added from a grass sample to validate the link between earth and sky. Diversity of choice is thus complete. Little black/white squares, however, seem to stand in her way, symbolising her hesitation and lack of confidence. She is obviously empty and needs help.



your mail has been delivered

Thursday, August 31, 2006

digitalised analogues.. yummie, aye!

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derivative composition II



derivative composition I



composition 345



composition 345

Thursday, April 06, 2006

..and come back for more

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a metaversion of the straight line



happiness in slavery

Monday, March 27, 2006

you see what happens, jeffrey..

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playing with circles I



playing with circles II



playing with circles III



playing with circles IV

Monday, February 27, 2006

(6)

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a 2003 self-portrait

a few recent portraits

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do you know me? II



do you know me? IV



do you know me? III



do you know me? I

Thursday, February 16, 2006

(part 4)

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a nameless intrigue



minimum



a strategy against architecture



maximum



a cotupia

recent conclusions.. (part 3)

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metacircle / a precise mathematical model for the creation of the universe

This full page illustration supplements Johan Carlsson’s article for the May / 2007 issue of Bulgaria’s monthly business magazine МЕНИДЖЪР., titled Does God Exist? It represents one’s personal belief on this rather elusive topic and is basically a circle expressed through a colour sequence, derived through a Cartesian coordinate system. Each of the grey lines is assigned to a point of that circle. The composition is part of a greater project called The Metafigures which aims at transforming geometrical shapes into colour compositions, i.e. transferring objects from one dimension to another.




a metatriangle



a metasquare



a metapentagon



a metaspiral



a metataking the piss :> and yet a cotup